It’s been almost 20 years since Paul Giamatti’s last Oscar nomination, for Ron Howard’s Cinderella Man in 2006. This year, with Alexander Payne’s The Holdovers, Giamatti scores his long-overdue first lead nod after coming extremely close with another Payne collaboration, Sideways, in 2004. The Holdovers follows a curmudgeon teacher (Giamatti) at a New England boarding […]